Blog

Robin Vincent features STAFFEL in his Molten Music Monthly September 2026. Who he is, what his channel is about and why you should check it out.

Two days at Beatcon at the House of Music in Berlin: catching up with Andy Mac, Boris Kummerer, Lars Hemmerling and Henry from u-he, new contacts at HEDD Audio and Zaor, plus workshops in the Vocal:Lab and Creative:Lab.

RASPEL is free in the shop. Why the saturation belongs in every filter stage, who the filter is made for, why the resonance does not collapse under DRIVE, and four recipes to get started.

STAFFEL is in the shop. Why we hand two complete filters over section by section instead of morphing, where the travelling notches come from, how IMPRINT turns a sound into filter B, and what the modulation never touches.

AMAZONA.de reviews the KA-303 acid synthesizer: 4.2 out of 5.0, overall verdict very good, clear buying recommendation. What convinced Franz Kreimer, and why the lowest individual score is the right one.

Loop Rituals features BREITSEITE in the news: a stereo imager plugin that draws stereo width as a curve across the spectrum. What they wrote and where to get the demo.

Hamburg mastering engineer Flo Siller on Soundgarden, remastering The Mars Volta, mastering on Linux and on headphones, and the three OBERTON features that exist because of his emails.

Venezuelan metal and bass producer Zardonic on the mask, his studio, the hardest album of his career, and why Amen Machine is the Amen endgame for him.

He built the 68 presets for Reecer. And 234 sound sets for 152 other synthesizers, all of which he gives away. The first part of our artist portrait series.

AMAZONA.de reported on the KA-303. The discussion underneath raised the very question we had asked ourselves: who needs another 303 clone? An honest answer about the sequencer, circuit-level modelling, price and interface.