{"id":468,"date":"2026-03-15T18:31:17","date_gmt":"2026-03-15T17:31:17","guid":{"rendered":"https:\/\/kreuzberg-audio.com\/?post_type=download&#038;p=468"},"modified":"2026-05-17T12:30:42","modified_gmt":"2026-05-17T10:30:42","slug":"ka-303-acid-synthesizer","status":"publish","type":"download","link":"https:\/\/kreuzberg-audio.com\/en\/downloads\/ka-303-acid-synthesizer\/","title":{"rendered":"KA-303 Acid-Synthesizer"},"content":{"rendered":"<p>The KA-303 is a software synthesizer for the sound that invented Acid House, Acid Techno and Hard Acid: squelchy, resonant, driving basslines that have been moving dancefloors around the world since the late 80s. Built for producers who need that sound in their DAW, no compromises, no detours, no hardware.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"605\" src=\"https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image-1024x605.png\" alt=\"\" class=\"wp-image-559\" srcset=\"https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image-1024x605.png 1024w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image-300x177.png 300w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image-768x454.png 768w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image-1536x908.png 1536w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image-18x12.png 18w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image-102x60.png 102w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image.png 1648w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>The KA-303 takes the sound of the legendary TB-303 as its starting point, but goes far beyond it. With a full Composing Engine for acid patterns, four distortion models, a Unison Engine with up to 7 voices and the Angel Fish Mod as an independent sonic extension, the KA-303 is not a clone. It is a standalone instrument with its own character.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"KA-303 \u2013 The Acid Synthesizer from Berlin | Circuit-Modeled | VST3\/AU\/Standalone\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/zASg4do8bBI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Circuit-Modeled. Not emulated.<\/strong><\/h3>\n\n\n\n<p>The KA-303\u2019s filter is not an approximation. It\u2019s a detailed reproduction of the original Diode Ladder circuit at component level, with Zero Delay Feedback architecture. Asymmetric integrator stages, diode saturation, the original highpass in the feedback path. The fat, signal-dependent squelch that only a Diode Ladder can produce.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Waveform Morph: The sweet spot between saw and square<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"109\" height=\"306\" src=\"https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/morph-1.png\" alt=\"\" class=\"wp-image-566 size-full\" srcset=\"https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/morph-1.png 109w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/morph-1-107x300.png 107w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/morph-1-4x12.png 4w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/morph-1-21x60.png 21w\" sizes=\"auto, (max-width: 109px) 100vw, 109px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Every other 303 plugin forces you to choose: Saw or Square. Not the KA-303. With the dedicated MORPH knob, you can smoothly blend between the two waveforms. At 30% with high resonance, you get timbres that neither Saw nor Square alone can achieve. When controlled via MIDI CC automation, basslines suddenly start to breathe and evolve in real time.\n\nTranslated with DeepL.com (free version)<\/p>\n<\/div><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Pulse Bias and Analog Drift: Authentic Square Like the Hardware.<\/strong><\/h3>\n\n\n\n<p>The real TB-303 doesn't generate its square wave from a dedicated oscillator \u2014 it clips the sawtooth through a single transistor. Component tolerances ensure the square is never symmetrical: duty cycle typically sits between 46\/54 and 48\/52 instead of 50\/50. That's exactly what produces the even harmonics an ideal square lacks, interacting differently with filter resonance. Almost every other 303 emulation simply ignores this. The KA-303 models it authentically.<\/p>\n\n\n\n<p>Pulse Bias shifts the square's switching point continuously \u2014 left for fatter, hollower sounds, right for nasal, thinner tones. Analog Drift replaces the hard-clip with a BJT soft-clip model featuring deterministic per-voice bias variation. Each Unison voice gets a slightly different switching point, sonically very close to the reality of several real 303s sitting on one table.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Angel Fish Mod: Where the hardware stops, the KA-303 begins.<\/strong><\/h3>\n\n\n\n<p>Inspired by Robin Whittle\u2019s legendary Devil Fish mod. Overdrive, Muffler, Filter FM, extended envelopes, adjustable portamento. One click, and the 303 sound gets an entirely new dimension.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Intelligent Distortion with Crossover Logic.<\/strong><\/h3>\n\n\n\n<p>Four models: DS-1, Tube, Rat, Fuzz. But the crucial part happens before: a Pre-Distortion Crossover splits sub-bass and mids. The bass stays clean, the distortion only hits where it belongs. From crunch to acid growl, no mud.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Composing Engine: No wrong notes. Literally.<\/strong><\/h3>\n\n\n\n<p>The intelligent note grid only allows notes within the selected scale. Slides and accents visible directly in the piano roll. 98 factory patterns as a starting point. Scramble, Mutate, Octave Jumps as creative tools. MIDI Drag &amp; Drop straight into your DAW.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"606\" src=\"https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image-2-1024x606.png\" alt=\"\" class=\"wp-image-569\" srcset=\"https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image-2-1024x606.png 1024w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image-2-300x177.png 300w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image-2-768x454.png 768w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image-2-1536x909.png 1536w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image-2-18x12.png 18w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image-2-101x60.png 101w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/image-2.png 1648w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Dynamic Pattern Grid: As Flexible as the Idea.<\/strong><\/h3>\n\n\n\n<p>The KA-303 pattern editor adapts to whatever you need. The Dynamic Pattern Grid lets you set pattern lengths from 1 to 32 steps, freely adjustable per pattern. The real trick: patterns with odd lengths, say 3, 5, 7 or 11 steps, run against the DAW's 4\/4 grid, creating natural phase shifts that build and resolve over bars. That is the hypnotic effect Hardfloor and the early acid producers made their signature sound. Classic 16-step basslines work just as well, but once you have heard that constantly realigning, breathing groove, you will not want to go back.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Page System: More Than One Bassline.<\/strong><\/h3>\n\n\n\n<p>One pattern, multiple pages. The Page System lets you create and chain several independent step pages within a single pattern. Longer structures with internal variations, no extra pattern slots needed. Verse, fill, chorus, all organized inside one pattern.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>MIDI Import: Your Material, the Power of the KA-303.<\/strong><\/h3>\n\n\n\n<p>Sketched a bassline in your DAW or have an old MIDI file sitting on your drive? Just drag it into the KA-303. The notes land straight in the acid grid, and from there the Composing Engine takes over. Scramble reshuffles the pattern, Mutate develops it further, Slides and Accents can be set directly in the grid, Groove brings it to life. What would take tedious note-by-note editing in your DAW becomes a squelching acid pattern in seconds.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Grid Resolution: From Broad to Precise.<\/strong><\/h3>\n\n\n\n<p>The KA-303 pattern editor works at 1\/8, 1\/16 or 1\/32 resolution, your choice. Short staccato notes, densely packed triplet feels or classic acid timing grids, all in the same editor, no detours. The resolution follows DAW standards, which makes the interaction with MIDI Import even more direct.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Lasso Selection: Full Control in the Grid.<\/strong><\/h3>\n\n\n\n<p>Notes in the pattern editor can be selected with a lasso, then moved, copied or deleted. Individual steps, entire phrases or everything at once. Drag a pattern in via MIDI Import and want to rework just the second half? Do it with the same gestures you know from any piano roll. Precise editing, no workarounds.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Groove Engine: Beyond Swing.<\/strong><\/h3>\n\n\n\n<p>Tight, Shuffle, Funk, Push, Laid Back. The expanded groove types of the KA-303 go far beyond simple swing. Each groove type shifts timing and velocity in its own way, from minimal human feel to a deep, unmistakable pocket. Combined with Density and Mutate, basslines start to feel alive.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>SLIDE in the Toolbar: Glide Character Right from the Pattern.<\/strong><\/h3>\n\n\n\n<p>Between BPM and LEN sits a bipolar Slide knob that controls slide behavior right in the composing view. The default 60ms is TB-303 authentic, all the way left 20ms for fast, accented slides, all the way right 360ms for long, drawn-out glides. Works in both modes \u2014 Original and Angel Fish. Double-click recenters to default. The knob mirrors the same parameter as the Slide knob in the Devil Fish tab, so composing no longer requires tab switching to tweak the glide character.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Two separate preset worlds.<\/strong><\/h3>\n\n\n\n<p>Sound presets and pattern presets are completely independent. Let a pattern run, click through sounds, hear the same bassline in completely different timbres. No rebuilding, no loss.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Unison Engine: Up to 7 voices.<\/strong><\/h3>\n\n\n\n<p>Each with its own filter, its own envelopes, its own slide processor. From subtle thickening to a massive wall of sound. With automatic gain compensation.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>The sound that created genres. Reimagined, with its own character.<\/strong><\/h2>\n\n\n\n<p>The TB-303 defined Acid House, Acid Techno and Hard Acid. That squelchy, resonant, unmistakable bassline sound is deeply embedded in the DNA of electronic music. The KA-303 takes that exact sound as its starting point and takes it where the hardware never could.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Circuit-Modeled at Component Level<\/strong><\/h2>\n\n\n\n<p>The heart of the KA-303 is not a generic filter model. It\u2019s a detailed reproduction of the original Diode Ladder Filter with Zero Delay Feedback architecture, modeled down to component level. Four cascaded integrator stages with asymmetric coefficients, soft-clipping saturation modeled after 1S2473 silicon diodes, the original 150 Hz highpass in the feedback path. The result: the fat, signal-dependent squelch that transistor ladder designs simply cannot replicate.<\/p>\n\n\n\n<p>Slide, Accent and the Gimmick Circuit are also modeled at component level, including the capacitor-based Accent Sweep that accumulates across consecutive accented notes. Exactly like the hardware.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Schematic-Accurate Pulse Generation<\/strong><\/h2>\n\n\n\n<p>The same rigor as with the filter applies to the square wave. The real TB-303 has no dedicated square oscillator. Instead, the sawtooth is clipped through a single transistor whose Vbe bias and component tolerances produce a systematically asymmetric square wave. Duty cycle typically sits between 46\/54 and 48\/52, transitions are soft rather than sharp, and even harmonics emerge that an ideal square lacks \u2014 interacting audibly differently with filter resonance. That behavior is exactly what gives the 303 its character.<\/p>\n\n\n\n<p>Pulse Bias steuert den Schaltpunkt der Square bipolar. Links wird die Pulse breiter, der Sound fetter und hohler. Rechts schmaler, n\u00e4selnder, d\u00fcnner. Analog Drift schaltet zwischen Hard-Clip-Comparator (saubere, moderne Square) und BJT-Soft-Clip via tanh mit deterministischer Per-Voice-Bias-Variation. Jede Unison-Stimme bekommt einen leicht anderen Schaltpunkt, was einer kleinen Sammlung leicht unterschiedlich kalibrierter 303er klanglich sehr nahe kommt. F\u00fcr den klassischen Acid-Charakter \u00e0 la Josh Wink &#8222;Higher State of Consciousness&#8220;: Drift ON, Resonance hoch, Tube-Distortion an.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Angel Fish Mod: Beyond the Original<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:27% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"443\" height=\"625\" src=\"https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/angel.png\" alt=\"\" class=\"wp-image-571 size-full\" srcset=\"https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/angel.png 443w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/angel-213x300.png 213w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/angel-9x12.png 9w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/angel-43x60.png 43w\" sizes=\"auto, (max-width: 443px) 100vw, 443px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Inspired by Robin Whittle\u2019s legendary Devil Fish mod, we developed the Angel Fish mode. One click on the MODE knob and the KA-303 becomes an extended instrument: Overdrive, Muffler, Filter FM, extended envelopes, adjustable portamento. From warm overdrive to aggressive filter FM to screaming leads with Hi Reso. This is the sound the TB-303 always wanted to have.<\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>4 Distortion Models with Intelligent Crossover Logic<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 18%\"><div class=\"wp-block-media-text__content\">\n<p>DS-1, Tube, Rat, Fuzz. Four distortion models, each with its own character. But the special part isn\u2019t just the distortion, it\u2019s what happens before it: a Pre-Distortion Crossover splits the signal. The sub-bass stays clean, only the mid-range runs through the distortion. HP Resonance creates the characteristic nasal growl, ENV&gt;HP couples velocity to the highpass frequency for dynamically responsive distortion. From subtle crunch to aggressive acid growl, without the bass falling apart.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"265\" height=\"622\" src=\"https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/distortion.png\" alt=\"\" class=\"wp-image-575 size-full\" srcset=\"https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/distortion.png 265w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/distortion-128x300.png 128w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/distortion-5x12.png 5w, https:\/\/kreuzberg-audio.com\/wp-content\/uploads\/2026\/03\/distortion-26x60.png 26w\" sizes=\"auto, (max-width: 265px) 100vw, 265px\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Composing Engine: Acid Basslines in Seconds<\/strong><\/h2>\n\n\n\n<p>The integrated pattern editor was built specifically for acid basslines. An intelligent note grid only allows notes within the selected scale. Wrong notes? Simply not possible. Slides and accents are visible directly in the piano roll, no hidden menus. 98 factory patterns from \u201cChicago Deep\u201d to \u201cBerlin Basement\u201d to \u201cFinal Boss\u201d deliver instant inspiration. On top of that, Scramble, Mutate, Octave Jumps, Groove and Density serve as creative tools. A completely new pattern emerges in just a few clicks. MIDI Drag &amp; Drop takes it straight into your DAW.<\/p>\n\n\n\n<p>Plus Scramble, Mutate, Octave Jumps, Groove and Density as creative tools. A brand-new pattern in just a few clicks. MIDI drag &amp; drop sends it straight to the DAW. A dedicated SLIDE knob in the toolbar lets you control the glide character right from the pattern view \u2014 no tab switching required.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Two Separate Preset Worlds<\/strong><\/h2>\n\n\n\n<p>The KA-303 keeps sound presets and pattern presets completely separate. In practice, this means: let a pattern run and click through sound presets. The same bassline, completely different sonic characteristics. No rebuilding, no loss. Sound and notes live in two separate worlds and can be freely combined.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Unison Engine: When It Needs to Be Fat<\/strong><\/h2>\n\n\n\n<p>Up to 7 full synthesizer voices, each with its own filter, its own envelopes and its own slide processor. Stepless detune and stereo spread. From subtle thickening with 2 voices to a massive wall of sound with 7 voices and 30+ cent detune. Gain compensation keeps the level consistent across all voice counts.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Everything On Board<\/strong><\/h2>\n\n\n\n<p>Tempo-synced stereo delay with crossfeed and darkening filter. Reverb based on the Signalsmith algorithm with room sizes from 0.3s to 5s. Master Limiter as a brick-wall peak limiter on the output, protecting against clipping no matter how extreme resonance and distortion are pushed. Up to 8x oversampling for the highest audio quality. Full MIDI CC mapping via right-click and MIDI Learn. Dark and Light theme.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"KA-303 Sound Demo | Pure Acid, No Talking | VST3\/AU\/Standalone\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/5FOxBeMsWKg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Who Is the KA-303 For?<\/strong><\/h2>\n\n\n\n<p>For everyone who takes acid seriously. Whether Acid House, Acid Techno, Hard Acid, Trance or Hardtechno. The KA-303 delivers the authentic sound with modern tools. If you build basslines that need to squelch, scream and move the dancefloor, you\u2019re in the right place.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"KA-303 v1.2.0  Update | 64-Step Patterns, MIDI Import, Page System, Lasso Selection &amp; More\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/LSlqf1PcL60?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Try Before You Buy<\/strong><\/h2>\n\n\n\n<p>Not sure yet? No problem. Download the free demo and test the KA-303 in your DAW with all features and no time limit. The only restriction: white noise is briefly faded in every 30 seconds, and after 30 starts audio is muted. This way you can explore the sound, the Composing Engine and all distortion models at your own pace before you decide. Once the KA-303 convinces you, just activate your license key and the noise is gone.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Formats &amp; Systems<\/strong><\/h2>\n\n\n<p><strong>Formats:<\/strong> VST3, AU, Standalone<\/p>\n\n<p><strong>Systems:<\/strong><\/p>\n\n\n<ul class=\"wp-block-list\">\n<li>macOS 10.14+ (Intel and Apple Silicon)<\/li>\n<li>Windows 10 64-bit or newer<\/li>\n<li>Linux x86_64<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Der KA-303 ist ein Software-Synthesizer f\u00fcr den Sound, der Acid House, Acid Techno und Hard Acid erfunden hat: squelchige, resonante, treibende Basslines, die seit den sp\u00e4ten 80ern Dancefloors auf der ganzen Welt bewegen. Gebaut f\u00fcr Produzenten, die diesen Sound in ihrer DAW brauchen, ohne Kompromisse, ohne Umwege, ohne Hardware. Der KA-303 nimmt den Klang der &hellip; <\/p>","protected":false},"author":1,"featured_media":470,"template":"","edd-categories":[54,53],"edd-tags":[],"class_list":["post-468","download","type-download","status-publish","has-post-thumbnail","hentry","download_category-instrumente","download_category-plug-ins","edd-download","edd-download-cat-instrumente","edd-download-cat-plug-ins"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/kreuzberg-audio.com\/en\/wp-json\/wp\/v2\/edd-downloads\/468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kreuzberg-audio.com\/en\/wp-json\/wp\/v2\/edd-downloads"}],"about":[{"href":"https:\/\/kreuzberg-audio.com\/en\/wp-json\/wp\/v2\/types\/download"}],"author":[{"embeddable":true,"href":"https:\/\/kreuzberg-audio.com\/en\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":16,"href":"https:\/\/kreuzberg-audio.com\/en\/wp-json\/wp\/v2\/edd-downloads\/468\/revisions"}],"predecessor-version":[{"id":757,"href":"https:\/\/kreuzberg-audio.com\/en\/wp-json\/wp\/v2\/edd-downloads\/468\/revisions\/757"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kreuzberg-audio.com\/en\/wp-json\/wp\/v2\/media\/470"}],"wp:attachment":[{"href":"https:\/\/kreuzberg-audio.com\/en\/wp-json\/wp\/v2\/media?parent=468"}],"wp:term":[{"taxonomy":"download_category","embeddable":true,"href":"https:\/\/kreuzberg-audio.com\/en\/wp-json\/wp\/v2\/edd-categories?post=468"},{"taxonomy":"download_tag","embeddable":true,"href":"https:\/\/kreuzberg-audio.com\/en\/wp-json\/wp\/v2\/edd-tags?post=468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}